Developing film is an essential part of the analog photography workflow. Whether you're an experienced enthusiast or a beginner, being aware of film development techniques is critical to achieving beautiful prints. In this post, I'll walk you through how I develop my 35mm Black and White film.
For more on cameras see camera-setup
Film I shoot
- Tri-X 400
- Ilford HP5 400
- JCH Streetpan 400
- Random color film that crosses my path that I never develop
B&W 35mm Film Development Setup
#setup
Two rolls must be developed at a time. One time I developed what I thought was 1 roll and it was 2 rolls and I lost a roll of film. RIP. Now developing one roll is forbidden.
Once you've accumulated 2 matching rolls (no mixing!), the fun can begin:
Loading rolls onto film holder
- Get all materials set up step-zero and arranged
- Put everything inside dark bag
- Open up 35mm rolls of film
- Cut the ends off and load them onto the plastic film holders
- Put the film holders in the development cannister thing
- Close everything up so it is light proof
- Remove everything (including garbage) from the dark bag
Developing rolls of film
It's important to double-check the film and developer you are using - make sure they are consistent with each other. After you have verified the proper temperature and time of development, slowly pour your developer into the cannister, develop, and dry.
- Double check the film you are using and the developer to make sure you are developing at the right temperature for the right amount of time
- Get your developer to the right temperature
- Pour developer into cannister, follow agitation procedure for your specific film/developer
- Pour our developer
- Pour in stop bath
- Pour out stop bath
- Pour in detergent
- Leave to wash for a while under the tap
- Pour out all water, lightly shake water off rolls
- Pull rolls out of film holders
- Gently squeegee the rolls to pull drops of water off
- Clip film to hang and dry
- Try to find a cool picture on the roll while it dries even though you can't see anything
Cutting roll into contact sheet
- Once the roll is completely dry, put on some dust or rubber gloves to prevent smudging your negatives
- Trim off any excess film, then cut into strips of five photos each
- Slip the strips into archival plastic - I recommend rounding the corners of the strips if you want to avoid them getting caught This is where you can start getting excited - anticipation for processing your photos is always the best.
Printing contact sheets
- Pick archival sheet of photos
- Put in contact sheet holder
- Add paper at least 8.5 x 11
- Remove any filters from the projector
- Make test sheet for contact sheet, at 5 or 10-second intervals
- Find the correct exposure time for the contact sheet – the perfect contact sheet has full dark blacks with no shadows and fully white whites with clear detail
Darkroom Print Setup
#setup